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FRANKFORT, Ky. ? Kentucky is reporting that the state unemployment rate fell to 9.1 percent in December, a three-year low.
The Office of Employment and Training said that was down slightly from 9.4 percent in November.
The state added 8,400 nonfarm jobs, raising the number of Kentuckians with jobs to 1,808,700.
Seven of the 11 major job sectors reported an increase in job numbers.
Kentucky's trade, transportation and utilities sector added 3,400 jobs in December. The leisure and hospitality sector gained 2,700 jobs. The professional and business services sector added 1,200 jobs. And manufacturing added 1,100.
Education and health services sector lost 1,000 jobs in December. Mining and logging lost 300 jobs for the month.
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Kevin Slavin, entrepreneur and educator. Watch his 2011 TED talk on how algorithms shape our world.
TO UNDERSTAND the hidden infrastructure of the universe, many people turn to theoretical physics or evolutionary biology. But as our lives are increasingly filled with interactions driven by complex informatics, perhaps literacy in this area is just as crucial to understanding our world.
Everything from the stock market to movies and the media is the result of algorithms optimising against taste, demand and opportunity. Algorithmic compression determines how we see everyday images and hear music. E-commerce transactions have complex algorithms to ensure their security. And of course, every online search result is determined by algorithms that quantify and rank the value of information.
In Nine Algorithms that Changed the Future, John MacCormick aims to illuminate what underpins all of this - and just about everything else that involves a computer. It's an ambitious task, but with two mathematics degrees, a PhD in computer vision and a fistful of patents, he is well qualified for it.
The algorithms he explains include Google's PageRank, and those behind data compression, pattern recognition and digital signatures. There's also a chapter on "an algorithm that would be great if it existed" based on a concept called the halting problem, which concerns whether a program will run indefinitely.
In his conclusion, MacCormick expresses his surprise and delight at discovering the algorithms that he had focused on all had "some simple yet clever trick at their core - a trick that could be explained without requiring any technical knowledge".
At its best, the book delivers on its ambition. The chapters on data compression and error correction, for example, do a good job of revealing complexity through simplicity and may well change how you see the computer-mediated world. The next time you see a low-quality image on a website, blurry and full of colour-shifted artefacts, you'll know what system was used to produce it, and what compromises it was accommodating. Understanding exactly how data gets compressed changes how you think about the data that's piling up around you.
But the use of stories to explain algorithms occasionally falls short. Outlining the principles of public key cryptography, for example, he relies on the metaphor of three guests at a party. Two need to communicate in front of the third, while still sharing secrets with each other. Useful enough, but when we are asked to imagine they will do so by privately mixing paint in buckets before setting them down in the middle of the party, it becomes a struggle. The story is not easily digested, nor does it present the important concepts in a straightforward way.
Overall though, MacCormick leaves the reader with a sense of the engine that powers the networked world. And at its best, Nine Algorithms enables you to recognise the real world and begin to see those algorithms alive and kicking all around us.
Book Information
Nine Algorithms That Changed the Future: The Ingenious Ideas That Drive Today's Computers
by John MacCormick
Published by: Princeton University Press
?19.95/$27.95
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June 6th 2012: IPv6 goes live originally appeared on Engadget on Wed, 18 Jan 2012 08:42:00 EDT. Please see our terms for use of feeds.
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Wow. I really can't think of anything bad to say about this movie. It was such a treat. It's really a remarkable film; it looks exactly as if it were made in, like, 1933: The sets, the costumes, the film techniques, the narrative style, the look and mannerisms of the actors, the lighting, the style of humour and the music all create the near-flawless illusion that this is a genuine product of old Hollywood. It's really really astounding, but you don't have to be an old-school film nerd to like it. Despite being peppered with references to cinema history (Garbo, the Hays Code), it's still really accessible, no matter what your tastes. It's amazing how it blends the showiness of a classical musical comedy with a genuinely emotional (which is at times gritty and tragic) story of the cinema world leaving behind its erstwhile most beloved star. Jean Dujardin is mesmerizing and really endearing as George Valentin, the eternal showman and star of the silent screen who feels increasingly alienated and obsolete in the face of sound cinema. He's a captivating character, a man whose practised fake smile looks exactly like his real one and therefore keeps whatever pain he feels close to his chest. Berenice Bejo is also terrific as Peppy Miller, the new(er) Hollywood starlet seemingly built for sound cinema. Miller quickly eclipses Valentin, making him bitter for having given her her start and making her feel guilty, as a fan of Valentin's from way back. The orbit of these characters around each other drives the film, as they have great affection and respect for each other - not to mention great chemistry - yet circumstance has placed them on either side of cinema's technical divide. Ugh! What a great movie. It works terrifically as a comedy, or as a musical, as a character drama and just as well as a curious and brilliantly successful experiment in cinematic form. I am so happy to have seen this in the theatre. Oh! I should also mention that it's almost completely silent, but it uses sound sparingly and playfully, and to wonderful narrative avail. I can't wait to see this again.
January 18, 2012Source: http://www.rottentomatoes.com/m/the_artist/
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